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Autumn
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10Freshers' Fringe Various Writers
In House 10–11 October 2016 -
20The Great Gatsby by F. Scott Fitzgerald; Adapted by L. J. Bateman
Lakeside 17 October 2016 -
30FREAK by Anna Jordan
In House 2–5 November 2016 -
40Closer by Patrick Marber
In House 9–12 November 2016 -
50Contractions by Mike Bartlett
Fringe 14–15 November 2016 -
60The Pride by Alexi Kaye Campbell
In House 16–19 November 2016 -
70A Beautiful Thing by Emma White
Fringe 21–22 November 2016 -
80Mercury Fur by Philip Ridley
In House 23–26 November 2016 -
90All The World's A Stage & Other Stories by Yee Heng Yeh and Ian Sheard
Fringe 28–29 November 2016 -
100W;t by Margaret Edson
In House 30 November–3 December 2016 -
110The Super Awesome Happy Fun-Time Trick Performance by Ben Webber
Fringe 4–5 December 2016 -
120As You Like It by William Shakespeare
In House 7–10 December 2016 -
130The Greatest Thing You've Ever Seen by Tom Proffitt
Fringe 11–12 December 2016 -
140DEAD: A Musical by Lawrence Cuthbert and Josh Mallalieu
In House 13–16 December 2016
Spring
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200Love + Information by Caryl Churchill
Postgrads 25–28 January 2017 -
210One Word Story Land Improvised
The Red Herrings 29 January–1 February 2017 -
220Camp Macbeth Devised by Crew
Unscripted 6–7 February 2017 -
230Revolt. She Said. Revolt Again. by Alice Birch
In House 1–4 March 2017 -
240The Nether by Jennifer Haley
In House 8–11 March 2017 -
250Infectious by Emma White
Fringe 13–14 March 2017 -
260An Intervention by Mike Bartlett
In House 15–18 March 2017 -
270The Black Dog on My Sofa by Callum Walker
Fringe 20–21 March 2017 -
280Di and Viv and Rose by Amelia Bullmore
In House 22–25 March 2017 -
290Monarch by Tom Heath
Fringe 27–28 March 2017 -
310The Ringmaster by Tom Proffitt
Fringe 2–3 April 2017 -
320Our Temple by Iona Hampson
In House 4–7 April 2017 -
330Uz & Them by Jonathan Taylor Davies
Fringe 8–9 May 2017 -
340Blue Stockings by Jessica Swale
Lakeside 9–13 May 2017 -
350Trainspotting by Irvine Welsh; Adapted by Harry Gibson
In House 10–13 May 2017 -
360Rumours by Emma Summerton
Fringe 15–16 May 2017 -
370Potential Devised by Crew
Unscripted 18–19 May 2017 -
380How to Disappear Completely and Never Be Found by Finn Kennedy
Postgrads 24–27 May 2017 -
390The Pillowman by Martin McDonagh
Coronet Productions 2–3 June 2017 -
400The Redundant Restaurant by Sasha Gibson and Emilie Brittain
External 6–7 June 2017 -
410Crystal Quest: A 5D Adventure Devised by Cast and Crew
Fringe 11–12 June 2017 -
420Pomona by Alistair McDowall
In House 14–17 June 2017 -
450Strangers: A Magic Play II Devised
Strickland Productions 20 June 2017 -
460Wrecked Devised
StuFF 20 June 2017 -
470The Weird and The Eerie: A Collections of Short Films Various Writers
StuFF 20 June 2017 -
480Improvabunga! Improvised
Watch This Improv Troupe 20 June 2017 -
490Debris by Louise White
Louise White Theatrician 20 June 2017 -
500A Programme of Performance Art Various Writers
Central St. Martin's Graduates 20 June 2017 -
510Speechless by Charlie Davis
StuFF 21 June 2017 -
520Escape for Dummies Devised
StuFF 21 June 2017 -
530Twenty-Something by Lynton Appleton and Nancy Hall
StuFF 21 June 2017 -
540Footnotes by Lewys Holt
StuFF 21 June 2017 -
550The Fall of Byron Montrose: Poet, Gentleman, Lover by Ben Macpherson
StuFF 21 June 2017 -
560The Iconoclasts by Ben Price
StuFF 21 June 2017 -
570StuFF Your Ears With Spoken Word Various Writers
StuFF 21 June 2017
Edinburgh
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PresidentNiamh Caines -
TreasurerChris Sharp-Paul -
Theatre ManagerLibby Boyd -
SecretaryEmily Sterling -
Productions CoordinatorFelicity Chilver -
Front of House ManagerArnaud Lacey -
Company Stage ManagerDaniella Finch -
Workshop ManagerJess Donn -
Workshop ManagerBeth Wilson -
Company Technical DirectorJoanne Blunt -
Technical ManagerNathan -
Publicity ManagerMax Miller -
Publicity ManagerBeth Mullen -
External Relations ManagerLaura Jayne Bateman -
Fringe CoordinatorChris Trueman -
Costume, Props and Make-up ManagerSasha Gibson -
Social and Fundraising CoordinatorIzzie Masters
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Key Events
Unscripted
Unscripted allows students of any and all experience to take part in the theatre life. With no auditions, the group produces a semi-devised piece. The first performance, held in February, was Camp MacBeth.